Curated Magazine

Editorial design for a new magazine featuring high-end properties for the Luxury Division at Compass.

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Women’s Relaxed Poplin Shirt

Project Management:
Eleanor Donohue
Yehrin Park

Art Direction:
Carla Poirier

Design:
Annie Szafranski

Copy:
Abbey Abate

Photography:
Andrea Drake
Grace Brumley
Stephanie DeAngelis

Year:
July 2017
Men’s Air Tee

Project Management:
Eleanor Donohue
Yehrin Park

Art Direction:
Carla Poirier

Design:
Annie Szafranski

Copy:
Alex Applegate

Photography:
Andrea Drake
Grace Brumley
Stephanie DeAngelis

Year:
July 2017
Women’s Box Cut Tee

Project Management:

Eleanor Donohue
Yehrin Park

Art Director:
Carla Poirier

Design:
Annie Szafranski

Copy:
Alex Applegate

Photography:
Andrea Drake
Grace Brumley
Stephanie DeAngelis

Year:
June 2017
Women's Scuba

Project Management:
Shea Jackson

Art Direction:
Lee Cerre

Design:
Annie Szafranski

Copy:
Alex Applegate

Photography:
Andrea Drake
Grace Brumley

Year:
October 2015
Curated magazine is placed in the center of the frame on a clean white and gray marble background. The Magazine itself has a white cover with an blind embossed title that sits vertically on the right side of the cover. On the left side of the cover, an in image of a luxurious interior bleeds off the edge onto the spine and the back (which isn't visible in this photo)

About the Project
Curated magazine features luxury properties from across the nation under the Luxury Division at Compass. Curated provides a new opportunity for luxury agents selling some of the most expensive properties to gain exposure to their most coveted listings to a highly targeted audience of potential buyers.

Process & Challenges
I had the privilege of co-leading the design for the first issue of Curated with a colleague on the opposite coast. Together, we worked quickly from concept, to leading a small design team, to overseeing final print production in just a few months.

There were a few key design requirements for this project from leadership that needed to be addressed. The first was a 12pt font size minimum for agent information so readability wouldn’t be a concern. The second was the inclusion of a QR code for every listing so potential buyers could quickly access the listing with the snap of a photo. With these contributing factors in mind, the editorial design system was created. With the concern over the remaining economy of the page, we limited the amount of information we collected from agents, meaning, the description of the property needed to be limited to a minimal headline that captured the essence of the home, followed by the most essential property information. The gif above is a small example of the template structure we built that could be mixed and matched accordingly, with all of these considerations. Aside from a variety of layout options created in master pages in InDesign, paragraph styles were also created so the workflow could be as streamlined and efficient as possible for the designers that helped us implement all the agent information into our system.

Some of the challenges that we ran into mostly came from the data and content itself. One of the most common being low res images we were frequently flagging and requesting high quality versions of. Another challenge was on the topic of QR codes, though it is a quick and easy way to be directed to a specific URL, it does allow for more room for error when used on every page of a magazine, for every single listing. However, it isn’t just that. Due to the impermanent state of a property and its agent, paired with the permanent state of print, some of the QR codes and listings themselves were outdated by the time they were printed, though we continually checked listings to prevent this until our cut-off date. Lastly (but certainly not the last challenge), on a more high-level POV, our main challenge was to make an elevated luxury experience that didn’t feel like a book of property ads, which is very difficult when you’re given the photography to work with from agents, and not every interior is that.

Outcome
Together, with our team, we created a design system that features all participating agents and their listings in an elegant way, with enough variability within the system to maintain interest across all 200 pages. In total, around 45,000 print issues were ordered and there’s a growing waitlist for the second issue. This was a win for the company and provided a new way for select agents to market their listings strategically. You can view the full digital version here.

Design Co-Leads: Christian Cox and Annie Szafranski
Designers: Kevin Sherry, Jonathan Maghen, Leslie Wilkins, and Darnell Lamont
Design Direction: Christian Cox
Interior Editorial Template System: Annie Szafranski